Punk art and punk aesthetics are often said to be examples of bricolage; a term used to describe a mash of different objects and styles, brought together to create a new meaning, or to subvert the original one.  Certainly, the original punk scene of 1070s London was heavily styled by designer Vivienne Westwood and husband Malcolm McLaren, who took influence from the Teddy Boys and S&M scene.  Their deconstructed anti-fashion fashion took on a whole new meaning when modelled by angry, anti-establishment youths who prowled the streets demanding ‘Anarchy in the UK’.  Bin-liners, something highly disposable and associated with trash, became high fashion items when worn as dresses.  Dog collars, previously used as a tool of dominance, became necklaces.  Even the reviled Swastika took on a whole new meaning when used as a punk armband. [Read more...]